Anyone is free to audition. Each show has ages that are specific to the characters in that show, so please, look at a show to make sure it is appropriate for you to audition for.
Absolutely!
Some musicals do not have dancing and most plays do not. If you do need to dance, learn with the others and then present with confidence what you’ve picked up. Remember that it is part of the rehearsal process to teach you what you need to know. We’re looking for people who are interested in learning as well as those who already have experience.
Sometimes there are non-singing roles in a musical. Those roles are usually identified in the audition notices.
Choose something that matches the tone or style of the show. Monologues and/or songs from musicals or plays are ideal — especially pieces that show off your character and personality!
Use your phone or any camera with good lighting and sound. Film in a quiet place with a clean background. Portrait orientation preferred! From the waist up or full body is also preferred.
Dress in a professional manner for the part you are auditioning for. Do not dress in costume, flip flops, torn jeans, or sweat pants.
1–2 minutes is perfect. If we need to see more, we’ll reach out!
Please include your full name, age, and the shows(s) you’re interested in. Then, perform your monologue or song selection clearly on camera. Make sure we can see and hear you well!
Casting is done by committee, generally including the producer, director, music director (if applicable) and choreographer (if applicable). Directors are looking to cast the best possible show. Please, just bring your best-we want you to have fun and do your best.
Generally no. If a role is ever precast it will be listed on the audition notice. If it states that all roles are open that is indeed what it means.
Dates will be posted in the audition registration form as to when you will be notified. All auditioners will be contacted as to whether they have been cast or not. You also may be contacted to attend callbacks. All notifications are done by email only.
A callback is an invitation for a second audition. This may be for specific parts or for dancing. A callback means the director wants to see how you do in a specific role as well as how you may fit in the cast overall. If you do not receive a callback, it does not mean that you will not be cast. It just means the director does not need to see you in a second audition.
Due to time constraints, directors are unable to provide feedback. We always recommend that you come back for the next audition. On occasion a director may let you know in the email that they are willing to offer feedback – in this case you are welcome to ask.
First, remind them how proud you are of their courage to audition — that alone is a big accomplishment! Casting is never a reflection of their talent or worth. There are many factors involved, including age, vocal range, group dynamics, and story needs. Encourage them to keep learning, stay involved, and audition again — we’re always watching for future roles! Every audition is a step forward, and we are so glad they shared their gifts with us
Rehearsals are typically 3 hours, 2-4 days a week, for 6-8 weeks prior to the show opening. Saturday rehearsals can run 4-6 hours with a break in the middle. Shows run 2-3 weeks. The full schedule is listed at the time of auditions but, there is a chance depending on the role you are cast in, you will not be needed at every rehearsal.
It varies. We try to accommodate a reasonable number of conflicts, but excessive conflicts can be a factor in the casting process. Conflicts are not allowed for tech/dress rehearsals, brush up rehearsals, and performances.
Yes. All cast members, regardless of role, are required to be at all tech rehearsals and performances. If an actor is unable to be at all scheduled performances and dress rehearsals, we ask that they not audition.
Part of our process is to teach independence and to foster that skill. Rehearsals are closed to anyone not in the cast or on the crew.
